The King's Gold Medal for Poetry, 2022
Fruitcake brings together four poem sequences about motherhood by ‘this brilliant lyricist of human darkness’ (Fiona Sampson). Bougainvillea explores love and having a mother. Nylon is about happiness, and not having or being a mother. Then Bunker Sacks brings grace but also the shock of being a young mother. Finally, Grunter shows the impact of Asperger’s syndrome on both mother and child. Like all of Selima Hill’s books, Fruitcake charts ‘extreme experience with a dazzling excess’ (Deryn Rees-Jones), with startling humour and surprising combinations of homely and outlandish.
'Selima Hill is an inimitable talent. The mind is fragile and unreliable in her poetry, but is also tenacious and surprising, capable of the most extraordinary responses, always fighting back with language as its survival kit. Life in general might be said to be her subject, the complications, contradictions and consequences of simply existing. Nevertheless, Hill’s writing is eminently readable and approachable, even fun at times, the voice of a person and a poet who will not be quieted and will not conform to expectations, especially poetic ones.' - Simon Armitage, Poet Laureate, on behalf of The King's Gold Medal for Poetry Committee
‘Arguably the most distinctive truth teller to emerge in British poetry…Despite her thematic preoccupations, there’s nothing conscientious or worthy about Hill’s work. She is a flamboyant, exuberant writer who seems effortlessly to juggle her outrageous symbolic lexicon…using techniques of juxtaposition, interruption and symbolism to articulate narratives of the unconscious. Those narratives are the matter of universal, and universally recognisable, psychodrama…hers is a poetry of piercing emotional apprehension, lightly worn… So original that it has sometimes scared off critical scrutineers, her work must now, surely, be acknowledged as being of central importance in British poetry – not only for the courage of its subject matter but also for the lucid compression of its poetics’ – Fiona Sampson, Guardian
‘Her adoption of surrealist techniques of shock, bizarre, juxtaposition and defamiliarisation work to subvert conventional notions of self and the feminine… Hill returns repeatedly to fragmented narratives, charting extreme experience with a dazzling excess’ – Deryn Rees-Jones, Modern Women Poets
Selima Hill reads seven poems
Selima Hill reads seven poems from Gloria: Selected Poems (Bloodaxe Books, 2008): ‘Cow’, ‘Don’t Let’s Talk About Being in Love’, ‘Desire’s a Desire’, ‘Being a Wife’, ‘Why I Left You’, ‘The World’s Entire Wasp Population’ and ‘PRAWNS DE JO’. Pamela Robertson-Pearce filmed Selima Hill in London on 2 November 2007. This film is from the DVD-anthology In Person: 30 Poets, filmed by Pamela Robertson-Pearce & edited by Neil Astley (Bloodaxe Books, 2008).
