'How did such white-hot speed of mind meet up with so much affability? In these pages, seduction plays like stand-up comedy; urbanity plays like folk tale; Pliny plays like Buster Keaton; learning plays like seduction as Chiasson makes his case for the re-enchantment of the world' – Linda Gregerson
'Natural History brims over with genuine imagination. In these poems, imagination is a capability, to use Keats's word, and not a random goofing or mere word-salad. It is a way of perceiving' – Robert Pinsky, Washington Post Book World
‘Dan Chiasson is a wilfully literary poet – one who invokes (and impersonates) writers both classic and modern, meditates on the function of poetry, plays self-consciously with voice and toys shamelessly with time. Yet he can also lay down a clean, unadorned lyric line…There is something serious behind the literary shenanigans – an ambition to write larger than any one self stirs the book to life’ – Kay Ryan, New York Times Book Review
‘Like Emerson’s “transparent eyeball” or that of Pliny, Dan Chiasson’s gaze is curious, friendly, and unassumingly all-encompassing. Like William James (another mentor), his distinctions are smooth and profound and capable of suddent crescendos of meaning that are heartbreaking in their intensity’ – John Ashbery