Clare Shaw on BBC Radio 3 & Books of the Year 2022
Clare Shaw's Radio 3 The Essay a Radio 4 Pick of the Week; reviews of Towards a General Theory of Love; Poetry Books of the Year 2022 & 2023; new poems on BBC Radio...
An Empirical Examination of the Stage Theory of Grief
The silence of lakes. Rain in the evening.
The music has stopped and the people are leaving.
Her face was a shadow. The sound of her breathing.
Blood on her cheeks. The house we once lived in.
The scars I’d forgotten. The junk in the garden.
Empty cafés. Her eyes were wide open.
Ash on the table. The glasses are empty.
The fire has gone out and the carpet is dirty.
A girl all alone and her friends at the party.
Three in the morning. An old woman singing.
The wind on the moor. The smell of stale urine.
Motorway driving. The heavy rain falling.
The stars are all out and there’s light on the water.
A small patch of dirt in the shape of my mother.
The flowers are dead and the summer is over.
*
Lesbian Conception in the Euston Hilton
There was no god
only a barman who served me juice
and football on the screen in the corner.
When the moon rose over the city
I slept alone.
No sea without shore
and no waves breathing.
In the morning
nobody sang.
There was no Big Bang.
The telly was on next door
and the birds were awake.
I watched squirrels in a park
and drank coffee
and nothing at all
felt the same. It was there.
It was one cell dividing.
A light rain was falling
and the trees were already green.
*
Child Protection Policy
Once, everything felt like threat.
Only my body could keep yours
alive.
I’d get up to check your breathing:
it was shallow and warm on my cheek
and the whole world swam in its tide.
I stared into the dark
where no monsters were,
built fences to keep you safe,
put the matches on the highest shelf.
I took on the wolf
with my own weak teeth.
Never will you not be my child,
would I not hold you,
wrap you in blankets of stars,
sweep stones from your path
so you won’t fall.
I will hold your hand by habit on the road.
And you ask, would I die for you?
A thousand times over.
But the fences are growing smaller
and you should climb them.
I am giving you the matches.
Now make fire.
*
Monkey Talks About Self Injury
When he bites himself, he says, he belongs to a tradition
dating back thousands of years.
It is possible he is in cave paintings, though this is undecided.
He is certainly in the Bible, and all major religions.
Monkey is fascinated by Rose of Lima: her fasting, her crown of thorns.
She was the most beautiful of all the flowers, he informs me.
Monkey does not believe in God, but he feels strongly
that science lacks imagination and humanity.
He weeps when he reads of self-inflicted wounds in the trenches.
The removal of finger-joints in indigenous cultures
makes him shudder: though he understands the desire
to express grief, he is easily triggered.
Liposuction distresses him terribly, as do piercings.
He can only imagine, he tells me, the horrors that women
endure. We have not discussed waxing, but he is aware
of sunbeds and bleaching. He talks
of Adverse Childhood Experiences, neglect and self-hatred.
I feel there’s an elephant in the room,
but it’s late, and neither of us wants to name it. Even as I write
Monkey is weeping and rocking
whilst he reads of the consequences of smoking.
I am placing a block on all information relating to suicide,
obesity, alcohol and drugs. Also botox and cage-fighting.
We will return to these subjects in due course.
*
Lorry Driver (after Eiléan Ní Chuilleanáin)
When all this is over, I will take to the road
where the day starts at 3am
and conversation is largely a matter
of country music on late-night stations.
I want to learn a new language:
to blow my doors off, to be southbound
and hammer-down through Europe,
to drive through centuries of forest,
the memories of trees in the dark.
I intend to travel in straight lines,
to be shocked by the colour each morning,
to stop only where the services are worth it.
I want to be stalked by wolves,
to drive on bridges that might not hold.
I won’t hurry. On the high tracks over La Paz
I will take it steady
where dusty plastic flowers mark the graves.
I will be adept with a mallet and hammer
and the weather will be my story.
The world will shrink in my mirror,
storms will approach me.
I want life to drive towards me all lit up.
I want to be awake through the night
with hundreds of miles still to go.
*
The Garden of Earthly Delights
Back then, I was the moon.
I shone, I was perfect
and the trees were all heavy with fruit.
There was a heat between us
and it was divine. Your hair was long
and you smelt of sun.
Every word of this is the truth –
how a lion is filled with desire,
how women are fish, you can swim there.
How two people together are flower,
how flowers bloom from us.
How we carry a beast on our shoulders,
how we are birds.
We were so hungry back then –
do you remember?
We kept on eating the fruit
and I do not regret it
though a city burned in me
and there was rubble;
though the sun abandoned the sky.
Back then
we were not ashamed of our skin.
We lay in the grass and you smelt of sun.
And what happened between us was holy.
*
Other than Personality Disorder, what term
could you use to describe these people?
These people are Arctic Terns
who launch their tiny weight into the wind.
Their problem is winter,
their problem is weather; they avoid storms
by taking the largest detours to find land.
They are abundant.
These people fly between poles
and they sleep on the wing – they spiral,
their endurance is legendary.
They will bite your head
if they have to: they will draw blood.
They sing a high song of alarm
and they know two summers;
They have been studied and trapped
and tracked in their journeys,
these people are remarkable –
they have magnets inside their heads,
they go where they have to.
They know the glow of the snow
on the water, the sea as a glimmer,
the mountains as blades in the sky.
And they are the subject of various papers.
And life is harsh, and days are endless.
Contents List
9 What the Frog Taught Me About Love
10 Letter to My Mother
11 Elegy for My Grandma
13 abcedarian
14 The Night Your Mother Died
15 This is a very small poem
17 An Empirical Examination of the Stage Theory of Grief.
18 Morecambe Bay as Grief
20 Monkey Writes a Poem About His Mother
21 Rhosymedre: Prelude on a Welsh Hymn
22 The Day Thou Gavest
23 Lesbian Conception in the Euston Hilton
24 Midwife, Calderdale General Hospital
26 Nocturne for My Daughter
28 This Is About My Mother
29 Child Protection Policy
30 A Psychological Study of the Strange Situation
31 Monkey and I Discuss the Difficulty of Working Therapeutically with Non-verbal Traumatic Memories
33 My Bedroom
34 An account of my reading from six to sixteen years old.
35 I Ask Monkey How He Sleeps.
36 The Impact of Neglect on the Developing Brain
37 Why Did the Monkey Cross the Road?
38 Monkey Talks About Self Injury
39 Monkey Writes a Story About God
40 Monkey Joins a Dating App
41 Self Portrait as Monkey Getting Drunk
42 When I look at her
43 Monkey Teaches Me Map-reading Skills
44 What the Goldfish Taught Me about Love
45 Self-portrait as Hermaphroditus entering the water
46 Night Swimming, Derwentwater
48 Love as an Adder in Grizedale
49 Love as DIY
50 My Girlfriend Did Not Believe in Ghosts
51 Love as a Poem
52 The Titanic Reflects on the Recent Ending of a Long-term Relationship
53 Self-portrait as Claude Cahun and Marcel Moore
54 I come from Kergulen
55 Love as a SatNav
56 Love as a Global Pandemic
57 What the Moon Taught Me About Love
58 Total Social Isolation in Monkeys
59 Love at the William Thompson Recreation Centre
60 Lorry Driver
61 The Garden of Earthly Delights
62 Everything Is a Gift
64 You couldn’t make it up
65 Information for Survivors of Sexual Abuse and Rape
67 Other than Personality Disorder, what term could you use to describe these people?
68 Self-portrait as Hermaphroditus coming out of the water
69 Monkey Invites Me to Imagine
70 Chronicles of Narnia
71 If Love is Snow
72 Things I find attractive in a person
73 Instructions for Care
74 Day after a Migraine
75 Monkey Reads William Blake
79 Acknowledgements
Related Reviews
From the reviews of Clare Shaw’s Flood (2018):
‘There is a quiet, cool, authentic voice to the poems of Flood. A flood that destroyed Clare Shaw’s home town, mental illness, self-injury, the end of a relationship, are all experiences recounted with factual detachment… There is a sense that the poet’s most intimate surroundings have betrayed her, but the stillness and control with which Shaw writes reveal quiet layers of intensity drawn from unstable places.’ – Carla-Rosa Manfredino, Times Literary Supplement
‘Caught directly in the deluge’s rising tide, Shaw is a witness who gives incantatory evidence of poetry’s power to define, rather than simply describe, the existential pain of being caught helpless in maelstroms both external and psychological.’ – Steve Whitaker, The Yorkshire Times