Leanne O'Sullivan

The Mining Road, Leanne O’Sullivan’s third poetry collection, finds inspiration in the disused copper mines that haunt the rugged terrain around Allihies, near her home at Beara, in West Cork. Like remnants of a lost world, the mines’ ruined towers, shafts, man-engines and dressing floors, evoke an elemental landscape in which men and women laboured above as well as underground, and even mined in caverns below sea level. Mining promotes a sense of memory, and the riches embedded in the landscape are human as well as material. But things brought to the surface can have a startling ability to shine in the present, and O’Sullivan’s poems move and provoke as they resonate with experiences at the heart of contemporary Ireland.

'O’Sullivan shifts away from the kind of “topographical” poetry of place that has become common in Irish writing, choosing instead to locate the place’s meaning in “all of us listening”. O’Sullivan repeatedly presents us with objects or places, which then act not as statements of arrival or recovery but as points of departure. Things we have seen before, often in other people’s poems, come alive again in her hands… The Mining Road is a strong and varied book of poems… slow and concentrated pieces that register with great clarity the mystery of stories and images that exercise power over us, images and stories on which readers will dwell. At a time when historians, novelists and journalists are again revising our national narratives, these thoughtful, ambitious poems bring the past to life, but they also ask if any imagination of the past, no matter how rich and inevitable it feels, can ever be quite enough.' – John McAuliffe, The Irish Times.

'Subtle, slow-burning and sensuous poems that reward with successive readings, The Mining Road is a step in the right direction O’Sullivan and, indeed, for Irish poetry.' – Philip Cummins, The Irish Post.

Leanne O'Sullivan reads The Mining Road and other poems

Leanne O'Sullivan begins this short film by reading 'The Cord' from her debut collection, Waiting for My Clothes (2004). Then she talks about her second collection, Cailleach: The Hag of Beara (2009) and reads one poem from it, 'Birth'. An Cailleach Bhéarra, or the Hag of Beara, is a wise woman figure embedded in the physical and mental landscape of western Ireland. A large rock rests on the ridge overlooking Ballycrovane Harbour on the Beara peninsula, said to be the petrified body of the Cailleach; she has had several lives, beginning each life with a birth from her stony form – and returning to stone at the end. Leanne then reads six poems from her latest collection, The Mining Road (2013), in which she finds inspiration in the disused copper mines that haunt the rugged terrain around Allihies, near her home: 'Townland', 'The Mining Road', 'Love Stories', 'Antique Cabinets', 'Sea Level' (from 'Man Engine'), ‘Safe House’ and 'The Glimmerman'. Neil Astley filmed this reading in February 2012 at the O'Sullivan family farm at Beara, West Cork, where Leanne O'Sullivan grew up. This film is from the DVD-anthology In Person: World Poets, filmed and edited by Pamela Robertson-Pearce and Neil Astley (Bloodaxe Books, 2017).
 

Leanne O'Sullivan reads at Dublin Writers' Festival

Leanne O'Sullivan reads one poem from her debut collection Waiting for My Clothes, 'The Cord', followed by five poems from her second collection Cailleach: The Hag of Beara: 'Sister', 'Lost', 'Rapture', 'The Dancing Rooms' and 'The Return'. The film shows excerpts from her reading at the Project Arts Centre in the Dublin Writers' Festival on 6 June 2009.
 

Ireland & EU: Click here to order from Books Upstairs in Dublin

USA: Click here to order from Indiebound or Bookshop.org