Robert Adamson was nourished for much of his life by Australia’s Hawkesbury River. His poetry praises nature – red in tooth and claw – and celebrates existence as a mythological quest. The Kingfisher’s Soul was his first new collection to be published in Britain after Reading the River: Selected Poems (2004).
Extending the territory covered by the later poems in that selection, The Kingfisher’s Soul takes Adamson’s personal Romanticism and daring lyricism to a higher imaginative level. He confronts a range of contradictions: how the fish he kills to make a living also sustain his vision as poet; and how he uses birds from the sky for his paintings. He wonders about the existence of God as well as the different meanings of souls of humans, birds, fish and animals. Some of the poems look at war, and many come back again to love. A later collection, Net Needle, was published in 2016.
‘Readers of Robert Adamson’s books will have understood that this distinguished man of letters and major poet is one of the most significant gifts Australia can offer the rest of the world. Specifically, the gift comes from the Hawkesbury River, north of Sydney. This river that Adamson lives on, and from which everything is born, becomes in his work an archetypal water which everyone can relate to wherever they reside. From it he raises a universe. Robert Adamson grows into the reader like a whole forest, slowly and deeply like a whole Nature. He deserves reading like you deserve breath’ – Nathaniel Tarn.
‘Robert Adamson is that rare instance of a poet who can touch all the world and yet stay particular, local to the body he’s been given in a literal time and place. He is as deft and resourceful a craftsman as exists, and his poems move with a clarity and ease I find unique. He has savored his life, felt it at each moment, and what he has written is its vivid and enduring testament’ – Robert Creeley.
Robert Adamson: Poet of the Hawkesbury River
Robert Adamson has been nourished for much of his life by Australia’s Hawkesbury River. His grandfather was a fisherman on the Hawkesbury, where Bob has lived, on and off, for most of his life, and for the past three decades with photographer Juno Gemes. Pamela Robertson-Pearce’s film portrait covers some of the key aspects of his life and work: his early obsession with fishing, birds and nature; his discussions with American poets Robert Duncan and Robert Creeley during their visits to Australia (with Duncan’s outing to the Hawkesbury inspiring one of the poems he reads); and the ways in which his poetry was transformed with their encouragement, and in particular by Duncan’s insistence on the primacy of myth in poetry and Creeley’s urging that he should write from his own life.
The selection of poems is directed by the stories he tells over the course of two days on and around the river. Their house on the point looks out over Mooney Creek and its old oysterbeds. On one trip downriver, he shows us his grandfather’s old house on the shore, as a pelican takes flight across the water. The film starts with the boat moored at Jerusalem Bay, an inlet where he used to come fishing as a teenager on outings from Sydney. The poems included in the film are ‘The Gathering Light’, ‘Thinking of Eurydice at midnight’, ‘Black water’, ‘My granny’, ‘The Southern Skua’, ‘The Stone Curlew’ and ‘Juno & Eurydice’.
Shot over two days in February 2010, the film is from the DVD-anthology IN PERSON: WORLD POETS, filmed & edited by Pamela Robertson-Pearce & Neil Astley (Bloodaxe Books, 2017): http://www.bloodaxebooks.com/ecs/product/in-person-world-poets-dvd-book--1080
Robert Adamson: The Speaking Page
This short film features Robert Adamson reading his poem 'The Speaking Page' with photographs of the river by Juno Gemes. It is extracted from A pod of poets, produced for ABC's excellent Poetica podcast series of Australian poetry by Libby Douglas with sound engineer Phillip Ullman. The full feature mixes soundscapes of the Hawkesbury River, oyster farming and fishing, with Robert talking about the influences on his work, his family, his desire to become an ornithologist and the first time he heard Bob Dylan. To listen to the podcast, go to Poetica
