Virginia Astley emerged as one of the UK’s unique singer songwriter talents throughout a productive career covering the 1980s onwards. From her many collaborations with a variety of notable names in the music industry, through to her own solo career, she has managed to carve out her own particular style.
Virginia grew up in her musical environment, with her father, a composer, writing at home throughout her childhood. She took up the piano at 6 and later the flute. As a young child she would often deviate from the notes in front of her, preferring instead to improvise!
It was while she was studying at the Guildhall School of Music in London that she began to develop her own songs and play keyboards for various bands. She worked with Skids frontman, Richard Jobson and recorded with a number of artists. In 1981 she signed to the Why-Fi label, releasing A Bao A Qu. Following this she formed a band with old friends, Kate St John and Nicky Holland. Adopting the title of The Ravishing Beauties, they played Club Zoo in Liverpool and supported The Teardrops Explodes on tour.
Virginia’s first album, co-produced with Russell Webb, was From Gardens Where We Feel Secure, released in 1983. Throughout the 80s she recorded for both Elektra and WEA. In 1986 she worked with Ryuichi Sakamoto on her album Hope in a Darkened Heart. This led to her signing with Nippon Columbia and later recording All Shall Be Well and Had I the Heavens for them. During the 1990s she also wrote a musical based on the novel The Woodlanders by Thomas Hardy.
Several other writing projects surfaced over the years, including a long poem based on a twenty-four hour walk and set to music, Maiden Newton Ecliptic. She also started publishing her poetry in magazines and winning prizes in poetry competitions.
Her pamphlet The Curative Harp won Ireland’s Fool for Poetry chapbook competition in 2015 and was published by Southword.
In 2017 Virginia was writer-in-residence at Thomas Hardy’s Cottage, his birthplace in Dorset. She continues to perform, together with her daughter Florence on harp, regularly at Max Gate – Thomas Hardy’s house in Dorchester.
She is currently working on Keeping the River, a narrative non-fiction book exploring the River Thames and the lives of those who work and live on the river.
Her first book-length collection, The English River: a journey down the Thames in poems and photographs was published by Bloodaxe in 2018.
