Katie Donovan was educated at Trinity College Dublin and the University of California at Berkeley. She has published six books of poetry, all with Bloodaxe Books: Watermelon Man (1993), Entering the Mare (1997), Day of the Dead (2002), Rootling: New & Selected Poems (2010), Off Duty (2016) and May Swim (2024). Off Duty was shortlisted for the Irish Times–Poetry Now Award. Born in 1962, she spent her childhood on a farm in Co. Wexford before moving to Dún Laoghaire, a suburb of Dublin where she still lives. She has worked as a journalist with The Irish Times, a Creative Writing Teacher at the Institute of Art, Design and Technology (in Dún Laoghaire), and currently teaches Creative Writing at NUI Maynooth. Her work has been widely anthologised, most recently in The Wake Forest Book of Irish Women’s Poetry, edited by Peggy O’Brien, and in Bloodaxe's Staying Alive: Real Poems for Unreal Times, edited by Neil Astley. She is the author of Irish Women Writers: Marginalised by Whom? (Raven Arts Press, 1988), and has co-edited two anthologies, Dublines (with Brendan Kennelly), published by Bloodaxe Books in 1996, and Ireland's Women: Writings Past and Present (with A. Norman Jeffares and Brendan Kennelly), published by Kyle Cathie (Britain) and Gill and Macmillan (Ireland) in 1994. In 2017 she was awarded the 21st Lawrence O'Shaughnessy Award for Poetry.
