This volume is a new annotated edition of J.H. Prynne’s 1983 poem The Oval Window, making use of photographs taken by the poet at the time and place of composition, together with a substantial portfolio supplied by him of source and reference material. This source material ranges from the political and economic news of the period in late August 1983 when the poem was written, together with extracts from literature, Eastern and Western philosophy, optics, anatomy, computer programming language, and a considerable quantity of ancient Chinese poetry. The edition has two commentary essays: the first primarily concerned with the role of search engines in the reading and especially the reading pace of such poetry, the second with the topography and the critical antecedents of the poem. For ease of reading, a clean reading text is included as well as the annotated text.
The expanded third edition of Prynne's Poems (2015) was published by Bloodaxe in 2015.
‘Prynne is refractory yet astonishingly lucid. First poet of the world for some things.’ – John Kerrigan, Times Literary Supplement (Books of the Year 2015)
‘Poems is a vast slab of a thing, but its luminous and unsettling poems richly repay the attention they demand.’ – David Wheatley, Guardian [on the third edition of Poems]
‘The place to start with Prynne is The White Stones (1969), one of the great volumes of postwar British verse. Poem after poem of quick, light, original perception re-frames the world with extraordinary freshness.’ Jeremy Noel-Tod, The Sunday Times [on the third edition of Poems]
'Without doubt the most formidable and accomplished poet in England today, a writer who has single-handedly changed the vocabulary of expression.’ – Peter Ackroyd, The Times
'This book is one of the most inventive, intelligently experimental collected poems of the century.’ - Adam Phillips, Observer
'J.H. Prynne’s Poems is a collection, thirty years in the making, in which the language is both astonishing and inevitable. Such a level of intelligence, control and risk is shocking.’ – lain Sinclair, Independent on Sunday (Books of the Year)
'Prynne presents a body of work of staggering audacity and authority such that the map of contemporary poetry already begins to look a little different.' – Roger Caldwell, TLS
'The longer I have stayed with these pieces, the more they have moved and haunted me; the more I have felt altered by having experienced them…Prynne is hard-going, off-putting, and much disliked by many more traditional writers; he is also, when one gets into him, so good that he changes the way you think and feel.’ – Robert Potts, Guardian (Books of the Year)