Robert Adamson has been nourished for much of his life by Australia’s Hawkesbury River. Reading the River praises nature – red in tooth and claw – and celebrates existence as a mythological quest. The early poems trace Adamson’s own journey through a difficult childhood, prison and exile in the city, the source of a hard-won scepticism undercutting the highly personal Romanticism and daring lyricism of his later work.
‘Readers of Robert Adamson’s books will have understood that this distinguished man of letters and major poet is one of the most significant gifts Australia can offer the rest of the world. Specifically, the gift comes from the Hawkesbury River, north of Sydney. This river that Adamson lives on, and from which everything is born, becomes in his work an archetypal water which everyone can relate to wherever they reside. From it he raises a universe. Robert Adamson grows into the reader like a whole forest, slowly and deeply like a whole Nature. He deserves reading like you deserve breath’ – Nathaniel Tarn.
‘Robert Adamson is that rare instance of a poet who can touch all the world and yet stay particular, local to the body he’s been given in a literal time and place. He is as deft and resourceful a craftsman as exists, and his poems move with a clarity and ease I find unique. He has savored his life, felt it at each moment, and what he has written is its vivid and enduring testament’ – Robert Creeley.
‘Robert Adamson’s Reading the River is a new “song of myself”, one that sets both “song” and “self” at risk. To read these brutal and beautiful lyrics is to undergo an experience – a journey and a test – and whoever can last the distance will have been changed in more than one way. To live with the work of this great poet is to live more deeply and more warily’ – Kevin Hart.
‘The spareness and taut energy of the more recent poems, for all Adamson’s famous romanticism, seems classic… What it costs a poet to dare such plain statement, the patience it requires, even the impatience, the dedication, the hard work, is part of the mystery of these poems and of the life that has been worked through to get them down .…How the poems, as they come, change and shape the poet – the existential surprise that keeps him alive and on his toes – is what keeps us too, as we move through this life in poetry, intimately engaged and enlivened from the first poem to the last’ – David Malouf.
‘Robert Adamson is one of Australia’s national treasures’ – John Ashbery.
Robert Adamson: The Speaking Page
This short film features Robert Adamson reading his poem 'The Speaking Page' with photographs of the river by Juno Gemes. It is extracted from A pod of poets, produced for ABC's excellent Poetica podcast series of Australian poetry by Libby Douglas with sound engineer Phillip Ullman. The full feature mixes soundscapes of the Hawkesbury River, oyster farming and fishing, with Robert talking about the influences on his work, his family, his desire to become an ornithologist and the first time he heard Bob Dylan. To listen to the podcast, go to Poetica