Portobello, the district in Dublin where the Irish poet Harry Clifton lives, is a microcosm of a changing, cosmopolitan Ireland. These sonnets, written on his return from sixteen years in continental Europe, are at once a celebration of place, a coming to terms with age and a rediscovering of the universal in the local.
Harry Clifton has published seven other books of poetry, most recently The Holding Centre: Selected Poems 1974-2004 (2014) and The Winter Sleep of Captain Lemass (2012) from Bloodaxe, and Secular Eden: Paris Notebooks 1994-2004 (2007), winner of the Irish Times / Poetry Now Award, from Wake Forest University Press in the US. His other books include On the Spine of Italy (1999), his prose study of an Abruzzese mountain community, and Berkeley’s Telephone (2007), a collection of short fiction.
'There is so much history in Harry Clifton's poems, so much geography, landscape, cityscape, repeopled precincts of the imagination, so much human drama and comedy; so many people, mythic, unlikely and hauntingly real. And all of it is limned with a masterful formal dexterity and an apparently limitless cultural curiosity.' – C.K. Williams
'The poems begin with something seen, remembered, or suddenly known, or a melancholy feeling about time passing, or complex emotions about love, and then they take a longer view, or hold their breath while a new tone, filled with sonorous risk and odd wisdom slowly seeps into an end-line of a stanza or a new section of a poem… There are moments when you hold your breath… and you sit up in pure delight… there are a number of poems in this book that will be read as long as any poems are read anywhere… The last poem, "Oweniny, Upper Reaches", filled with soft, haunting cadences and strange, ambiguous musings on solitude, memory and the meaning of things, is a masterpiece. It displays Clifton’s reticence and technical skill against the need to let the poem soar into a truth that emerges from the gap between the words, and then it allows the words themselves to glide up and out in all their hushed and controlled beauty.' - Colm Tóibín, Irish Times on The Winter Sleep of Captain Lemass
‘His dazzlingly accomplished book is arguably the first great work of Irish poetic post-modernism… His is a universe of aftermaths, hauntings and returns, in which even God…dreams of becoming flesh again… an Irish voice that is utterly contemporary in its restless movement through time and space.’ – Fintan O’Toole, Irish Times on Secular Eden
Harry Clifton reads his poem ‘A Son! A Son!’ from his Bloodaxe collection The Winter Sleep of Captain Lemass: