Poetry Book Society Wild Card Choice
Amy Key’s Isn’t Forever is a grimoire for feminine selfhood in a world where a sense of self is flimsy, elusive and unrequited. The poems in this book are obsessive in their desire to construct and breach the terms of their own intimacy. They have their own ‘narrative costume’ but are vexed with it, not quite able to master the ‘diligence of having a body’. This is a book where a tender and sabotaging shame of aloneness has taken root. Where wants cluster and are at war with each other. Where the heart is at once ‘all lurgy’ and an investment piece to be saved for best. Where the sea is the only solace, but the sea is blasé.
The ‘ta-dah!’ and candour of these poems is an exercise in Amy Key’s imaginative protection and urge for personal extravaganza, an attempt to acknowledge but fight back the brutal inner voice. The obscure audience of the reader is never out of sight.
Amy Key's first collection Luxe was published by Salt in 2013. Isn't Forever is her second book-length collection.
'I’m truly bewitched by Amy Key’s poems. They cut right to the quick of what means to be a modern girl. Honestly, they make me feel dizzy. They’re like beautiful rooms I want to lie down in; they are perpetually surprising, ferocious and unruly. They’re brave and splendid, extravagant and precise. They track difficult emotional states of longing and desire, hatred, fear and self-disgust, and yet they are also witty, playful, luxuriant and intensely concerned with joy. Ugh, just buy them.' – Olivia Laing
'The work of Amy Key can be described as magical, hallucinatory, erotic, lush with texture and hot with weird emotion. Smart and strange, it attaches to you audaciously and doesn't let you go. Like a fine poetry wine, I find notes of Matthea Harvey, Emily Dickinson, Mary Szybist. Yet I am always surprised, line by line, at how recognisable her style is, how unlike anything else it is.' – Brenda Shaughnessy
'Amy Key's Isn’t Forever is a book of love: love for both the “pure carcass” of experience and the “unreality of imagined things”. The poems set out from moments of desire and squander themselves in the act of making something seemingly unusable which actually alters, gently but authoritatively, our conception of utility. “If I built aeroplanes,” she tells us, “I would begin by making one that was too beautiful”.’ – Oli Hazzard
'The reader is continually astonished by the outrageous acuity of Key’s use of imagery; she persuades, utterly, on the most unlikely ground.' - Steve Whitaker, The Yorkshire Times [on Isn't Forever]