A new child should mean new hope. But what if that’s no longer so? Ailbhe Darcy’s second collection unfolds in an intimate world, in which the words home and love dominate. But the private world is threatened by a public one. Written in the American Rust Belt, in an era of climate change and upheaval, Insistence takes stock of the parent’s responsibility to her child, the poet’s responsibility to the reader, and the vulnerability of the person in the face of global crisis.
In a long poem, Darcy revisits Inger Christensen’s 1981 Alphabet, a work which expresses the heart-sickening persistence and proliferation of beauty after Hiroshima. In Darcy’s ‘Alphabet,’ the spiraling form takes over, insisting on hope. But this is a doubtful sort of hope: hope for life on earth, not necessarily human life. Stink bugs work their way across America, cockroaches waltz, and quixotically-named mushrooms rise from the earth in this flirtatious but volatile collection.
Described by David Wheatley as ‘boldly overhauling the received categories of the Irish poem’ with ‘cunning and humour’, Darcy’s poems interrogate cosmopolitanism as much as they do rootedness, love as much as grief.
Ailbhe Darcy’s first collection, Imagininary Menagerie, was published by Bloodaxe in 2011:
‘This is Irish poetry progressing – acknowledging the narrative tradition, but making the language entirely new.’ – Jennifer Matthews, Poetry International.
‘Approaching the world as they do with open hands, it is the good fortune of Darcy’s poems to find the globe dropping unbidden into their palms. This is intelligent, eloquent and durable work, offering portents of many rewarding instalments to come.’ – David Wheatley, The Wake Forest Introduction to Irish Poetry, Vol IV.
‘…a beguiling, sometimes baffling, yet unique slant on the world… Read the darkly beautiful and restrained sequence 'Unheimlich', which views familial trauma through a storytelling lens, and you get an idea as to what this writer can do.' – Ben Wilkinson, Stride.
Ailbhe Darcy reads three poems from her Bloodaxe debut collection Imaginary Menagerie: