Fleur Adcock writes about men and women, childhood, identity, roots and rootlessness, memory and loss, animals and dreams, as well as our interactions with nature and place. Her poised, ironic poems are remarkable for their wry wit, conversational tone and psychological insight, unmasking the deceptions of love or unravelling family lives.
Born in New Zealand in 1934, she spent the war years in England, returning with her family to New Zealand in 1947. She emigrated to Britain in 1963, working as a librarian in London until 1979. In 1977-78 she was writer-in-residence at Charlotte Mason College of Education, Ambleside. She was Northern Arts Literary Fellow in 1979-81, living in Newcastle, becoming a freelance writer after her return to London. She received an OBE in 1996, and The Queen’s Gold Medal for Poetry in 2006 for Poems 1960-2000 (Bloodaxe Books, 2000). In October 2019 Fleur Adcock was presented with the New Zealand Prime Minister’s Award for Literary Achievement in Poetry 2019 by the Rt Hon (now Dame) Jacinda Ardern.
Fleur Adcock published three pamphlets with Bloodaxe: Below Loughrigg (1979), Hotspur (1986) and Meeting the Comet (1988), as well as her translations of medieval Latin lyrics, The Virgin & the Nightingale (1983). She also published two translations of Romanian poets with Oxford University Press, Orient Express by Grete Tartler (1989) and Letters from Darkness by Daniela Crasnaru (1994). All her other collections were published by Oxford University Press until they shut down their poetry list in 1999, after which Bloodaxe published her Poems 1960-2000 (2000), followed by Dragon Talk (2010), Glass Wings (2013), The Land Ballot (2015), Hoard (2017) and The Mermaid's Purse (2021). Poems 1960-2000 and Hoard were Poetry Book Society Special Commendations while Glass Wings was a Poetry Book Society Recommendation. Fleur Adcock’s Collected Poems was published by Bloodaxe Books in hardback and paperback on her 90th birthday, 10 February 2024. This is an expanded edition of the Collected Poems published in New Zealand in hardback only by Victoria University Press in 2019. The expanded edition was published simultaneously in New Zealand in paperback only by the same publisher, now known as Te Herenga Waka University Press.
Author photo: Jemimah Kuhfeld
